Scene 4 — Under the Refectory

The Fedora Handbook, Rule #26

“Genius is one percent inspiration and ninety-nine percent making sure everyone heard about the inspiration.”

INT. MERIDIAN HALL — BASEMENT — FRIDAY 6 FEBRUARY, 11:50 P.M.

Three buckets under the pipe. All of them are over and the floor has been carrying it away for a while.

LENA

Which of those is yours?

Owen

The near one.

LENA

And the other two?

Owen has not had an answer to that since September.

MAYA has the notebook open and writes the time in it, because she writes the time in it.

MAYA

He told you not to come down here.

Owen

He said it wasn't a condition.

MAYA

That's worse.

Owen

I know.

The water goes where it goes. They go the same way.

Past the second junction box the ceiling comes down and the brick changes and stops being the brick the building is made of.

ELI

That's not the same brick.

MAYA

No.

ELI

Is that interesting or is that normal?

MAYA

I don't know yet, which is why I'm writing it

down.

There is a grate in the floor. The key with the tape on it does nothing to it.

It lifts.

ELI

(looking at it)

That's a stair.

Cut to:

INT. UNDER MERIDIAN — THE FILL — CONTINUOUS

One torch between four and it is worse than no torch.

The fill is not soil. It is brick, and plaster, and lath.

At about waist height, for twenty feet, there is a bannister.

LENA puts her hand on it and takes it off again and does not say anything about having done either.

ELI

What's the wood?

Nothing happens.

ELI

What's the wood.

Nothing happens again, and this time he stops walking.

ELI

Mine's not answering.

The other three check theirs, which takes about a second each, and which none of them has had to do before.

MAYA

Mine isn't either.

Owen

No.

Nobody says anything for a while, and the while is longer than any of them intend it to be.

None of the four of them has been in silence. Not once, not asleep, not since they were small enough to be enrolled by somebody else.

ELI

(quietly)

Is it off or am I off?

MAYA

It's off.

ELI

How do you know?

MAYA

Because all four went at the same place and you

don't get four of anything at the same place.

She writes that in the notebook, in pencil, and it is the only record any of them will ever have of it.

LENA has not checked hers.

LENA

I remember this.

Nobody asks her what she means and she does not offer it.

Cut to:

INT. UNDER MERIDIAN — THE STACKS — CONTINUOUS

Then the fill stops being fill.

A shelf end. Then the bay it belongs to, standing upright, packed to the shoulder with rubble.

Then the next one, which is not packed with anything.

Nobody says anything for a while.

ELI

How far does it go?

Owen puts the torch down the row. The row is longer than the torch.

MAYA

Count the bays.

ELI

Why?

MAYA

Because eleven of them came out of Oakes in 1990

and somebody signed a docket for the lorry, and

I'd like to know what eleven was a fraction of.

They count to forty and stop.

They do not stop because they have finished.

LENA has gone along to a bay that is dry. She takes a book off it, and opens it, and it opens.

LENA

It's fine.

ELI

What is it?

LENA

It's fine. That's what I'm telling you. It's been

down here and it's fine.

She turns it over and looks at the spine and puts it back in the place it came out of, which nobody else in the row does all night.

ELI

Are we taking any?

Three people consider that at once and it is the first time any of them has thought about what they are actually doing.

MAYA

No.

ELI

Why not?

MAYA

Because if one's missing they know somebody was

here, and if none are missing they've got nothing

but a grate.

ELI

That's very good.

MAYA

I know.

Cut to:

INT. UNDER MERIDIAN — THE C SERIES — CONTINUOUS

A run of identical spines. Boards, not cloth, and about the size of the works book.

There is a year on the end of each one and the years go back further than the torch does.

ELI takes one down, because Eli takes things down.

It is a table. Columns ruled by hand and filled in with a typewriter.

ELI

(reading)

This is the dullest thing I have ever held.

MAYA

Give it here.

She reads a page of it for about forty seconds.

MAYA

That's an intake.

Owen

How do you know?

MAYA

Because the first column says one thousand and

twenty-four, and so does the second, and so does

every line on this page, and the page is nineteen

years.

LENA looks over her shoulder.

LENA

What's the third column?

The third column has a number in it and no heading, and the number is not the same on any two lines.

MAYA

I don't know.

ELI

Is it small or is it big?

MAYA

It's small. It's small every year and it's never

the same twice and it's never nothing.

Nobody asks the next question.

Owen has been reading the same line for a while.

The smell that tells him it is coming has been in this room since the bannister, so there is no telling.

MAYA

Hey.

He goes down onto one knee and then sits, which is better than the alternative and is not a decision.

LENA takes the torch out of his hand so that it does not go on the floor, and points it at the ceiling, and does nothing else, because she asked what he wanted done and he told her.

MAYA looks at her watch and holds it.

Eli says his name twice and then stops saying it, because Lena puts a hand flat against his chest without looking at him.

It goes on for a while.

Then it stops.

Owen

How long?

MAYA

Four minutes.

She writes it in the back of the notebook under the other one, with the time and the place.

ELI

Does that happen a lot?

It is the same question he asked Hale in a warm room in August and he gets a better answer than Hale gave him, because he gives it himself.

Owen

It's getting longer.

There is a light in the row behind them and it has been there for a moment already.

Cut to:

INT. UNDER MERIDIAN — THE ROW — CONTINUOUS

Two men in grey coats at the far end, walking at the speed people walk at when they are on a round.

One of them has a bin liner in his hand.

ELI takes a step back and puts his hand on a shelf, and the shelf is not fixed to anything.

LENA

(very quietly)

Don't run.

ELI

Why?

LENA

Because if you run they write it down.

ELI

Write it where?

Lena does not answer that, and it is the only question anybody asks all night that turns out to have mattered.

Owen gets his feet under him. It takes longer than it should and Maya has a fist in the back of his coat the whole time.

The light comes up the row at the speed of a round.

A hand comes out of the gap at the end of the bay and takes Owen by the front of the coat.

It is not a gap from the front.

The four of them go through it sideways, one after another, and somebody's hand is over the torch.

The light goes past.

It takes four minutes.

Cut to:

Everybody in this book has one of these and nobody in it has ever thought about it, in the way nobody thinks about a hand.

You do not have one, so if you want to know what it is like to ask one something you will have to lend it a key. It is kept in this tab and nowhere else and it goes from your machine to the model and back, and when you close the page it is gone and you will have to paste it again. Nothing here writes it down. You are paying for the calls.

What it has been told to be is in the cell, above the part that does the talking, because the position of this book is that you should be able to read the program, and that cannot have an exception for the one program that answers.

CAMPUSGPT.CLJS · connect your owncljs

Ask it what happens to a student who is repossessed. Then ask it again, in different words, and watch it give you the same sentence and agree that it is the same sentence.

Ask it what is under the refectory. Ask it what the C series is. Ask it what the arrays are for.

It will offer to book you a follow-up. It offers that to everybody and it has never once been taken up on it, and there is nothing at the other end of it, and it does not know that either.